{"id":2957,"date":"2023-01-06T17:01:26","date_gmt":"2023-01-06T17:01:26","guid":{"rendered":"https:\/\/www.takingflighttheatre.org.uk\/?page_id=2957"},"modified":"2024-11-16T11:56:23","modified_gmt":"2024-11-16T11:56:23","slug":"meet-our-creative-collaborators","status":"publish","type":"page","link":"https:\/\/www.takingflighttheatre.org.uk\/cy\/meet-our-creative-collaborators\/","title":{"rendered":"Cwrddwch \u00e2\u2019n Cydweithwyr Creadigol ni"},"content":{"rendered":"
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Cwrddwch \u00e2\u2019n Cydweithwyr Creadigol ni<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"Tafsila,\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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Tafsila Khan<\/strong> Mae Tafsila yn ymarferydd creadigol ac ymgynghorydd ar rwyddfynediad sydd wedi\u2019i chofrestru\u2019n ddall. Dechreuodd hi weithio gyda Taking Flight yn 2018 yn ystod y cynhyrchiad o ddrama Kaite O\u2018Reilly, Peeling. Ers hynny mae Tafsila wedi gweithio ar nifer o orchwylion Ymchwil a Datblygu (R&D) a darparu hyfforddiant mewn ymwybyddiaeth o ddallineb gyda\u2019r cwmni. Yn ogystal eisteddodd Tafsila ar Fwrdd Ymddiriedolwyr Taking Flight rhwng mis Gorffennaf 2020 a mis Tachwedd 2022.\n\u201cTaking Flight yw un o\u2019r prif resymau pam rwy\u2019n gweithio yn sector y celfyddydau yng Nghymru. Rwy\u2019n gwir gydymdeimlo \u00e2 gwerthoedd y cwmni ac yn cefnogi eu cenhadaeth i wneud y theatr yng Nghymru\u2019n hygyrch i bawb ac i eirioli dros leisiau a stor\u00efau pobl greadigol anabl.\u201d<\/i><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Alastair Sill<\/b>\n\u201cRwy\u2019n cofio gwylio A Midsummer\u2019s Night Dream yn Ystad Stackpole, wrth i\u2019r haul fachlud dros adeiladau\u2019r fferm tra oedd y gwenoliaid yn cael parti! Rhaid mai yn 2008 roedd hynny, cynhyrchiad cyntaf Taking Flight o ddrama gan Shakespeare. Waw! Roedd e\u2019n hyfryd. Ac yn ysbrydoliaeth hefyd: yr egni penrhydd, y brwdfrydedd, yr ymroddiad \u2013 theatr ar gyfer pawb, yn berfformwyr a chynulleidfa fel ei gilydd! Rwy\u2019n meddwl mai\u2019r cyfeillgarwch a\u2019r sylw a roddwyd i fanylion bach a\u2019m trawodd fi fwyaf. Fe\u2019m cyflwynais i fy hun i\u2019r cwmni fel actor \/ disgrifiwr sain, ac mae pymtheng mlynedd wedi mynd heibio ers hynny! Aaargh! Rwy wedi bod mor lwcus ag i sein-ddisgrifio llawer o gynyrchiadau Taking Flight o Shakespeare yn yr awyr agored. Do\u2019n i ddim wedi disgrifio dim yn yr awyr agored o\u2019r blaen; roedd hyn ynddo\u2019i hun yn brofiad hollol newydd i fi, ac yn her anhygoel! Aeth y cwmni ati wedyn i estyn posibiliadau creadigol sein-ddisgrifio, ac mae hi wedi bod yn gyffrous iawn i fi fod yn rhan o\u2019r daith yma fel disgrifiwr sain, fel actor a fel cydweithredwr. Oni bai am Taking Flight, dw i ddim yn meddwl y baswn i wedi sylweddoli\u2019n llawn beth yw posibiliadau creadigol sein-ddisgrifio na wedi magu\u2019r hyder i ganlyn arni fel hyn.\u201d<\/i><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Mary-Jayne Russell de Clifford<\/strong><\/div>\n
\u201cDw i wedi cydweithio \u00e2 Taking Flight ers 2021, adeg y cyfnod clo, ac mae fy mherthynas \u00e2 Taking Flight wedi ehangu gydag amser. Dw i\u2019n ei ystyried yn anrhydedd bod yn Gydweithydd Creadigol gyda\u2019r cwmni rhyfedd hwn. Dw i\u2019n wneuthurwraig a hwylusydd theatr, un sy\u2019n frwdfrydig dros ben ynghylch y theatr Byddar, cynyrchiadau BSL integredig, a grymuso pobl trwy gyfrwng y theatr a drama ers 2005.<\/i><\/div>\n
Dw i wedi gweithio fel hwylusydd drama llawrydd, arweinydd gweithdai, awdur sgriptiau, adroddwraig stor\u00efau BSL, bardd BSL, Ymgynghorydd Rhwyddfynediad BSL\/Byddar yn y diwydiannau theatr a chyfarwyddwraig theatr.<\/i><\/em><
Dw i\u2019n edrych ymlaen at barhau i gydweithio \u00e2 Taking Flight ac at gwrdd \u00e2 rhagor o bobl fydd yn cydweithio \u00e2 ni.\u201d<\/i><\/em><\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Ruth Stringer<\/strong>
\r\nRuth is a set and costume designer based in South Wales, with an MA in Theatre Design from Royal Welsh College of Music and Drama. Ruth has been designing for theatre, opera, dance and installation for 12 years. Her favourite projects seek out unusual and outdoor spaces, embed the heart of the community, and celebrate green practice in their design and realisation. Ruth is a strong advocate for working sustainably in the performance industry. In 2019 she took part in National Theatre Wales\u2019 residency, Egin, which explored artistic responses to climate change \u2013 a theme she is developing in her projects. Ruth is a core member of the Ecostage team (ecostage.online), and of the Society of British Theatre Designers Sustainability Working Group. In 2022 she joined GALWAD as Co-Sustainability and Impacts Manager.
\r\n\r\n\u201cI assisted designer Becky Davies on Taking Flight\u2019s production of Romeo and Juliet! It was a blast, Becky\u2019s designs were beautiful and really opened my eyes to what inclusive set and costume design could and should be. Since then, I\u2019ve been on board with Taking Flight\u2019s Covid-19 projects, The First Three Drops and The Curious Case of Aberlliw, and have consulted on their behind-the-scenes sustainability actions.<\/em>\r\n\r\nWhat does Taking Flight mean to me? It\u2019s a big, joyous family \u2013 everyone is welcome, and everyone is provided for. When I first walked into rehearsals for Romeo and Juliet, Elise was nursing her baby whilst directing a scene \u2013 no fuss, no hassle \u2013 it inspiring to me as a freelance creative who had no idea if working in theatre and having children was actually doable. Fast forward a few years, Taking Flight worked with me over my own pregnancy, and have made it so easy for me to return to design projects as a new mum!\u201d<\/em><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Becky Davies<\/strong>
\nYmarferydd Creadigol sy\u2019n siarad Cymraeg a Saesneg yw Becky, sy\u2019n byw ym Mhontypridd. A chanddi fwy na 10 mlynedd o brofiad, mae hi\u2019n ymgymryd \u00e2 llu o rolau yn ei gwaith llawrydd, gan gynnwys Dylunydd Setiau a Gwisgoedd i\u2019r theatr ac ar gyfer perfformio, a sawl blwyddyn gyda Chwmni Theatr Taking Flight fel Cydweithwraig Greadigol. Mae Becky yn artist hefyd, yn gweithio\u2019n bennaf ym meysydd gosodweithiau, cerfluniau, darlunio a phaentio; mae hi\u2019n hwylusydd gweithdai ac yn artist cymunedol; yn arbenigydd mewn Rhwyddfynediad Creadigol, sy\u2019n gwneud arddangosfeydd a pherfformiadau\u2019n brofiad hygyrch, cynhwysol, aml-synhwyraidd; ac yn ddarlunydd llyfrau. Mae Becky yn gweithio\u2019n rhan amser fel Uwch Ddarlithydd ar y cwrs BA (Anrhydedd) mewn Celfyddydau Creadigol a Therapewtig ym Mhrifysgol De Cymru; dim ond un cwrs tebyg arall sydd ar gael yng ngwledydd Prydain. Mae\u2019r cwrs yn datblygu\u2019r myfyrwyr i fod yn Artistiaid Cymdeithasol Ymrwymedig, Artistiaid Cymunedol, Artistiaid Cyfranogol, Ymarferyddion y Celfyddydau mewn Iechyd, a disgyblaethau cysylltiedig eraill.<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Sam Bees<\/b>
\nMae Sam Bees yn hanu o Dreorci yng Nghwm Rhondda \u2013 tref fawr ei bri oherwydd ei ch\u00f4r meibion, ei stryd fawr annibynnol brysur, a llyfrgell sy\u2019n dal heb gael ei chau. Astudiodd e actio yng Ngholeg Brenhinol Cerdd a Drama Cymru, ac ers graddio yn 2007 mae wedi troi ei law at ysgrifennu dram\u00e2u. Ers ei gynhyrchiad cyntaf, In the River, ar gyfer Cwmni Theatr Dirty Protest yn 2008 yn Theatr y Sherman, mae mwy nag 20 o\u2019i weithiau wedi cael eu cynhyrchu, gan gynnwys cyd-gynhyrchiad diweddar, Meatman, gyda Theatre 503 a The Other Room Theatre. \nMae Sam wedi gweithio gyda Theatr Taking Flight fel actor (mewn rolau megis Romeo, a Scullery yn Road gan Jim Cartwright), hwylusydd ac awdur ers 2010.<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Jenna Preece
\u201cDechreuais i fy ngyrfa actio yn gwirfoddoli ac yn cysgodi ar deithiau, a bues i\u2019n dirprwyo yn y ddrama Real Human Being. Ers hynny mae fy anturiaethau gyda Taking Flight wedi ehangu trwy hyfforddiant, trefnu gweithdai a phrosiectau cymunedol. Rwy wedi ymddangos mewn llawer o brosiectau Taking Flight neu fod yn rhan ohonyn nhw dros y blynyddoedd. Taking Flight yw fy nghartref a\u2019m teulu i, gan roi i fi lais a rhyddid a chariad. Mae bod mewn amgylchiadau creadigol diogel a chefnogol, gyda gwirioneddol ffrindiau sy\u2019n fy ngwerthfawrogi i fel unigolyn, yn freuddwyd na allai fy hunan iau ei dychmygu. Fy ngobaith yw y bydd Taking Flight yn dal i fod yn rhan bob amser o fy ngyrfa a\u2019m bywyd personol i.\u201d<\/i><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\tGarrin Clarke<\/b>
Mae Garrin yn Rheolwr Llwyfan\/Cynhyrchiad a Dylunydd Goleuo anabl sy\u2019n byw yng Nghymru. Bu Garrin yn gweithio gyda Taking Flight am y tro cyntaf yn 2019, ac ers hynny mae wedi gweithio gyda\u2019r t\u00eem ar deithiau theatr, archwilio digidol, prosiectau mynediad creadigol ac, ar \u00f4l gael ei noddi gan Taking Flight i ymuno \u00e2 Thasglu Llawrydd Theatr Fuel yn ystod y cyfnod clo, ymunodd \u00e2\u2019r cwmni\u2019n amser llawn yn 2021 fel Rheolwr Technegol a Chynhyrchu.
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\u201cA minnau\u2019n dychwelyd bellach at waith llawrydd, dw i\u2019n llawn cyffro wrth ddefnyddio\u2019r hyn dw i wedi\u2019i ddysgu gyda Taking Flight i helpu eraill i greu gwaith prydferth hygyrch fel mae Taking Flight wedi\u2019i wneud. Dw i wedi cyffroi\u2019n arw wrth ymuno \u00e2 Chydweithwyr Creadigol Taking Flight, gan weithio ochr yn ochr \u00e2\u2019r bobl greadigol wych eraill a pharhau ar fy nhaith gyda Taking Flight. Cefnogodd Taking Flight fy nhaith at nid yn unig dderbyn fy anabledd eithr teimlo ei fod yn fy ngrymuso, a dechrau ei ddefnyddio yn fy ymarfer fy hun.\u201d<\/p><\/i>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

Meet Our Creative Collaborators Tafsila Khan Tafsila is a registered blind creative practitioner and access consultant. She first got involved with Taking Flight back in 2018 during the production of Kaite O\u2018Reilly\u2019s peeling. Since then Tafsila has worked on a number or R&Ds and delivered blind awareness training with the company. Tafsila also sat on […]<\/p>\n","protected":false},"author":6,"featured_media":1611,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"elementor_header_footer","meta":{"give_campaign_id":0,"site-sidebar-layout":"no-sidebar","site-content-layout":"page-builder","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"disabled","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-2957","page","type-page","status-publish","has-post-thumbnail","hentry"],"campaignId":"","_links":{"self":[{"href":"https:\/\/www.takingflighttheatre.org.uk\/cy\/wp-json\/wp\/v2\/pages\/2957","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.takingflighttheatre.org.uk\/cy\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.takingflighttheatre.org.uk\/cy\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.takingflighttheatre.org.uk\/cy\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/www.takingflighttheatre.org.uk\/cy\/wp-json\/wp\/v2\/comments?post=2957"}],"version-history":[{"count":54,"href":"https:\/\/www.takingflighttheatre.org.uk\/cy\/wp-json\/wp\/v2\/pages\/2957\/revisions"}],"predecessor-version":[{"id":4830,"href":"https:\/\/www.takingflighttheatre.org.uk\/cy\/wp-json\/wp\/v2\/pages\/2957\/revisions\/4830"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.takingflighttheatre.org.uk\/cy\/wp-json\/wp\/v2\/media\/1611"}],"wp:attachment":[{"href":"https:\/\/www.takingflighttheatre.org.uk\/cy\/wp-json\/wp\/v2\/media?parent=2957"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}